Mohenjodaro’s Dancing Girl

General Studies Paper 1

Context: On the occasion of International Museum Day PM Modi unveiled the Expos mascot – a “contemporised” version of the famous Dancing Girl of Mohenjodaro. The traditional craft of Channapatna toys was used to create this mascot.

Channapatna toys

• Channapatna toys are a particular form of wooden toys and dolls that are manufactured in the town of Channapatna in the Ramanagara district of Karnataka.
• This traditional craft is protected as a Geographical Indication (GI).
• As a result of the popularity of these toys, Channapatna is known as the Gombegala Ooru (toy- town) of Karnataka.
• Traditionally, the work involved lacquering the wood of the Wrightia tinctoria tree, colloquially called Aale mara (ivory-wood).

Mohenjo-Daro

• Mohenjo-Daro or the“Mound of the dead” lies in Larkana district of Sindh (Pakistan), about 5 km away from the Indus.
• It is one of the largest of the Indus Valley Civilization sites.
• It was discovered by archeologists Rakhaldas Banerji and Sir John Marshall.
• The site is famous for its elaborate town planning with street grids with brick pavements, developed water supply, drainage, and covered sewerage systems, homes with toilets, and monumental buildings.
• Its excavations revealed findings like the Great Bath, Great Granary, a large assembly hall, temple-like structure, the seal of Pashupati and a bust of a bearded man.
• It is the most glaring example of town planning in the Harappan civilization. The city is divided into citadel and lower city.
• The civilization went into decline in the middle of the second millennium BC for reasons that are believed to include catastrophic climate change.

About the Mohenjo Daro Dancing Girl

• The Dancing Girl was discovered in 1926, by British archaeologist Ernest McKay in a ruined house in the ‘ninth lane’ of Mohenjodaro’s citadel.
• Even though Mohenjodaro and Harappa became part of Pakistani territory after the Partition, the Dancing Girl remained in India as part of an agreement.
• Today, the bronze figurine sits in the National Museum of India as an artifact, often referred to as its “star object”.

Why is it called Dancing Girl?

• Over the years, the Dancing Girl has been an object of fascination for archaeologists and historians. Of particular interest has been the pose the woman strikes and what that means.
• John Marshall, Director-General of the ASI from 1902 to 1928 who oversaw the initial excavations in Harappa and Mohenjodaro, described the figurine as “a young girl, her hand on her hip in a half-impudent posture, and legs slightly forward as she beats time to the music with her legs and feet”.
• As Marshall’s description suggests, it is the pose that the figurine strikes that has led historians to believe that the woman depicted was a dancer.However, there is no other evidence to support this claim.
• Recent work on the issue has suggested that the “dancer” label came from readings of Indian history from later dates,when court and temple dancers were commonplace.

Significance

• The Dancing Girl is evidence of the civilisation’s knowledge of metal blending and lost-wax casting– a complicated process by which a duplicate sculpture is cast from an original sculpture to create highly detailed metallic artefacts.
• Moreover, the very existence of a figurine such as the Dancing Girl, indicates the presence of high art in Harappan society.
• While art has probably been around since the very beginning of human existence, the degree of its sophistication indicates a society’s advancement.
• The Dancing Girl by all appearances is not an object built for some utilitarian purpose – artists took great time to create an artefact of purely symbolic, aesthetic value.